Issue No. 56
"Secrets of Exciting Chords & Chord Progressions!"
 

     
 

 Online Piano Lesson #56

How To Predict Which Chord Comes Next

 Part 5

    

 Over the past several issues we have learned about "the fam", "cousin II", and "cousin VI". Today I would like to introduce you to "cousin III".

     Cousin III is like cousin VI -- she doesn't show up as often as cousin II, and certainly not near as much as the fam itself -- I, IV and V -- but when she does show up, she shows an overwhelming affinity to move to cousin VI. In other words, she just LOVES cousin VI.

     If you recall, cousin VI loves cousin II, and cousin II loves V, and V loves I.

     Taken all together, we have one of the strongest -- maybe THE strongest -- chord progression in all of music.

     If you know the old song "Please Don't Talk About Me When I'm Gone", you can see for yourself what I'm talking about. After the I chord, the song progresses through the III - VI - II - V - I cycle perfectly. (That's kind of an inside joke, since each chord progresses up a perfect 4th).

     If you're thinking "That's nice, but this certainly doesn't apply to classical music", then play Liebestraum. It uses exactly the same progression through it's theme. In fact, you can play the theme of "Liebestraum" and the theme of "Please Don't Talk About Me When I'm Gone" at the same time. (But I don't recommend it except to prove to yourself that all kinds of music use these same chord progressions we've been talking about.)

     So what?

     Here's what: Learn this III - VI -- II - V - I chord progression, and you've not only learned a progression that happens a great deal in all kinds of music, but you've also learned almost half of the Circle of 4ths! And having the Circle of 4ths memorized and down cold and "in your fingers" is like an advanced degree in music -- it will take you a LONG way toward both understanding and playing the chord progressions you want to play.

     So here it is in all 12 keys: (You know, of course, that the key of Db is enharmonic with the key of C#, so I don't repeat it in the table below.)

III VI II V I

Key of C: E A D G C

Key of F: A D G C F

Key of G: B E A D G

Key of D: F# B E A D

Key of E: G# C# F# B E

Key of A: C# F# B E A

Key of B: D# G# C# F# B

Key of Db: F Bb Eb Ab Db

Key of Eb: G C F Bb Eb

Key of Ab: C F Bb Eb Ab

Key of Gb: Bb Eb Ab Db Gb

Key of Bb: D G C F Bb

It goes without saying that it is IMPERATIVE that this sequence of chords be both committed to memory, and even more importantly, understood.

Next issue we will take up the entire Circle of 4ths.

See you then.

(Meanwhile be sure to check out some tools to help you comprehend all this. There is so much to learn in music, and it's so exciting when you DO understand it, that's it's worth everything to get a complete grasp of the reality of music. It will make your playing so much more enjoyable and so much better over time. Click on the banner below, or just go to www.playpiano.com and have a look around. You'll like what you see.

 

 

 

 

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