Special issue #00064
"Secrets of Exciting Chords & Chord Progressions!"
 

     
 

This is the " Secrets of Exciting Chords & Chord Progressions!" newsletter that you (or someone using your E-mail address) signed up for when you visited our site. If you no longer want to receive these free weekly E-mail piano lessons, toggle down to the bottom of this E-mail and you'll see where you can take yourself off the list. We take your privacy (and ours) very seriously, so we don't want anyone receiving our stuff who doesn't want it! ('cause thousands really do!).
divider.gif (1021 bytes)

" Secrets of Exciting Piano Chords & Piano Chord Progressions!"

Special issue #00064

Voicing a chord on the piano

    "Voicing" has nothing to do with using your voice -- it is a technical term that refers to the way in which notes of a chord are arranged.

      For example, you know the "C" chord is made up of 3 notes -- C, E, and G -- correct? But those 3 notes can be arranged in a variety of ways. We could have C on the bottom of the chord, or we could have E on the bottom of the chord, or we could have G on the bottom of the chord. Those are inversions, and we dealt with those a couple issues ago.

     But we could also space the notes differently. We could have C on the bottom of the chord, skip the E, and have G come next, with E on top. That is called "open voicing" because there is an "opening" between the various notes of the chord. Chords that don't have any openings are called "closed".

     So we have closed voicing and open voicing.

     But when we combine closed and open voicing with inversions, we get more possibilities, don't we?

     For example, if we put E on the bottom of the chord, skip G, then use C, with the G on top, we get the 1st inversion of the C chord in open voicing.

     If we put G on the bottom of the chord, skip the C, then use E, with the C on top, we get the 2nd inversion of the C chord in open voicing.

     As you play your piano, LISTEN for the difference in sounds between open-voiced chords and closed-voice chords. Listen, too, for the difference between inverted chords in open and closed voicing. You can get a lot of different sounds out of one chord if you use voicing creatively!

     Now transpose whatever songs you are playing into all other keys, and watch the chords change as you do. Listen, too, so you will be developing your ear while you build your understanding.

     In futures issues we'll take up specialized types of voicing, such as "locked chord" voicing, "voicing in 4ths", and  other types used in various musical styles.

     Next issue we'll take a look at the "blues" and see what makes it tick.

     Meanwhile, if you like the sounds you can get from voicing in various ways,  then you'll want to pick up our "How To Voice a Chord For a 'Pro Sound"

 

"How To Voice a Chord For a 'Pro Sound"

j0213487.gif (4565 bytes)

     To "voice" means to arrange the notes of a chord on the keyboard so you get the sound you want. Since there are scores of ways to voice a chord, you need to know the principles involved. For example, you can imply any 7th chord by using just 2 notes -- do you know which 2? You can play extended chords such as 11ths and 13ths all in one hand, even if your hand is small, if you know how. Learn all about voicing.

 

 

 

 

 

 

Google
 
Web PlayPiano.com
PianoLessonsByVideo.com PianoPlaying.com

 

 

Copyright Shinn Trading 1995-2007

Piano Chords ] Piano Playing ] Gospel Music ] Play Piano ] Keyboard Chord Chart ] Piano Runs & Fills ] Piano Playing By Ear ]  Piano Playing Without  Sheet Music ] Free Piano Lessons ] Piano Music Using Chords ] Piano Music By Ear ] Chord Progressions] Music-Piano ] Home Business in Music] Crash Course in Exciting Piano Playing] Improvising on the Piano ] Classical Piano for Beginners]

   This is the "Piano Chords & Progressions" e-course that you (or someone using your name) signed up for. Please go to Tips and read about how to make sure you get each lesson. If you didn't sign up, then go to the bottom of this page and unsubscribe, because we only want people who LOVE this stuff to get it! Make sure this newsletter reaches you by calling your ISP and putting us on your "Mail I want to receive" list and put our address in your address box. Some SPAM filters actually stop this newsletter from being delivered, even though the person signed up for it and wants it! And if your SPAM filter "eats" it, there is nothing I can do about it. I can't resend it because that is all handled automatically by a 3rd party auto-responder. So make sure you get it by calling your ISP (Certain popular ISP's are particularly notorious about this, so if you have an e-mail account with one of them, please let them know you want this newsletter!)

Disclaimer     Privacy Policy     Children Privacy Policy     Terms of Use