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During the next 3 lessons we are going to consider the essential
parts of music -- the elements of music that are "must haves" --
you don't really have music unless you have these 3 elements at
some time or another. They don't have to all happen at the same
time, or all the time, but they are always intermittently
present -- like the weather.
The
first part of music is melody. A melody is a tune, a
horizontal flow of notes that generally serves as the basic
identifier of a piece of music. On the keyboard we have 12
different notes to work with, and these 12 different notes are
repeated in seven different octaves:

Melodies are constructed from these 12 notes, and are almost
always derived from a scale of some kind. A scale is simply a
row of notes in some consistent pattern. The word “scale” comes
from a Latin word meaning “ladder” – notes ascend or descend the
ladder rung by rung. There are many types of scales – major,
minor (3 varieties of minor), chromatic, whole tone, etc. We
will take a look at some of these other types of scales, but the
most-used scale is the major scale, which is a row of notes in
alphabetical rotation in the following pattern:

Notice that the distance between the 1st and 2nd notes of the
major scale is a whole step; between the 2nd and 3rd notes is a
whole step; between the 3rd and 4th notes is a half step, and so
on.
For example, if we began our major scale on F sharp, it would
look like this:

If we started on B, it
would look like this:

Notice that the only half steps are between the 3rd and 4th
notes and the 7th and 8th notes – all the other notes are
separated by whole steps.
Here is a chart which shows the notes of all 12 major scales
according to their position in the scale. Note the relationship
of whole steps and half steps:
|
1st note (do) |
2nd note (re) |
3rd note (mi) |
4th note (fa) |
5th note (sol) |
6th note (la) |
7th note (ti) |
8th note (do) |
|
C scale |
C |
D |
E |
F |
G |
A |
B |
C |
|
Db scale |
Db |
Eb |
F |
Gb |
Ab |
Bb |
C |
Db |
|
D scale |
D |
E |
F# |
G |
A |
B |
C# |
D |
|
Eb scale |
Eb |
F |
G |
Ab |
Bb |
C |
D |
Eb |
|
E scale |
E |
F# |
G# |
A |
B |
C# |
D# |
E |
|
F scale |
F |
G |
A |
Bb |
C |
D |
E |
F |
|
Gb scale |
Gb |
Ab |
Bb |
Cb |
Db |
Eb |
F |
Gb |
|
G scale |
G |
A |
B |
C |
D |
E |
F# |
G |
|
Ab scale |
Ab |
Bb |
C |
Db |
Eb |
F |
G |
Ab |
|
A scale |
A |
B |
C# |
D |
E |
F# |
G# |
A |
|
Bb scale |
Bb |
C |
D |
Eb |
F |
G |
A |
Bb |
|
B scale |
B |
C# |
D# |
E |
F# |
G# |
A# |
B |
In the preceeding chart, you will notice that there are no sharp
scales listed. This is simply because D flat and C sharp are
really the same key – just written differently. The same is true
of E flat and D sharp, G flat and F sharp, A flat and G sharp,
and B flat and A sharp. These are known as enharmonic
scales – the sound is identical, but one scale is written as a
flat scale while the other is written as a sharp scale.
So melodies use scales, and like a climbing vine, they wrap
themselves around the harmony of the song. In the next lesson we
will take up the 2nd element of music.
(I am well aware, of course, that
other cultures do not always use the same scale we do in the
West. I am speaking only of Western music (European-American).
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