How To Dress Up Naked Music On The Piano!

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How To Dress Up “Naked Music” On The Piano

     What in the world is “naked music?”

     You know it when you hear it, but the words that describe it sound strange, don’t they? We’ve all heard of popular music and rock music and gospel music and jazz music, but naked music?

     Naked music is simply the notes on a piece of sheet music. It’s “naked” – not dressed up or arranged at all. No fills, no slurs, none of the ingredients that make a song come to life.

     Not a single professional musician plays the music exactly as it appears on a piece of sheet music. Instead, they use the written music as a map, or an outline, and then proceed to do their own thing with it. They twist it, bend it, add to it, subtract from it, put fills in it, change the key, change the words, change some of the melody notes, and on and on.

     So when you hear your favorite artist perform a piece of music, if you look at the written sheet music while they are performing it, you will see it is MUCH different and MUCH better than the plain old “naked music!”

     So how can the average musician dress up naked music? There are many ways, but here are seven of my favorites:

  1. Change the chords slightly by adding color tones. What are color tones? Color tones are notes added to the basic chord, usually expressed as 6ths, 7ths, 9ths, etc. For example, instead of playing just a straight C chord as it is written – C, E, G – try adding a color tone to it, such as a 6th (A) or a 7th (Bb) or a major 7th (B) or a 9th (D). In fact, try adding a couple together, like a 6th and a 9th. So instead of being a plain vanilla chord made up of C, E, and G, you’ve made it a tasty variation adding A and D to the equation.
  2. During the pause between phrases, add a counter melody. How? Take the given melody notes and turn them upside down or inside out, or change the rhythm slightly so the tune is still recognizable, but different.
  3. Add chord substitutions. Instead of always using the chords that are written, ask yourself this question: “Into what other chord will this melody note fit?” For example, if the melody is G and the chord is C, what other chords contain the note G in them? There are several answers to that question. G is not only in the C chord, but it is also in the Em chord, the Eb major chord, the G chord, the Gm chord, etc. Try one of those alternate chords until you like the sound combination, then use it instead of the C chord. It will add an originality and freshness to your playing almost immediately.
  4. Add fills and runs between phrases. How do you do that? Simply break up the chord that is in force at the moment, and run it up the keyboard as a broken chord – one note at a time. Or start at the top of the keyboard and come down. Or play with the chord a bit by playing 2 of the 3 notes instead of the entire 3 note chord.
  5. Use melodic echos. After you have played the melody, echo it by playing it an octave higher, or two octaves higher, or an octave lower.
  6. Use half-step slides. If the chord progression is from D7 to G7, instead of going to G7 directly, “slide into it” by playing the chord that is one-half step above – namely, Ab7, then quickly sliding off Ab7 to G7.
  7. Use “blue notes.” Blue notes are created by sliding off a black key onto a white key quickly. For example, if the melody is E, slide off Eb to E quickly using the same finger.

     This is just a tiny sampling of what you can do to dress up your music. There are literally hundreds of other techniques, from pseudo-modulations to inside blues moves to deceptive cadences to tremolos to twangs to crunches to straddles to 3-1 breakups to walk-downs and walk-ups and on and on.

     By simply adding a few of these techniques to your playing you can easily double and triple the excitement created by your piano playing as you “dress up naked music!”

     Click here or on the pictures below to learn the whole story.

 

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Duane Shinn is the author of over 500 music books, CD’s & DVD’s including “How To Dress Up Naked Music On The Piano!” He also is the editor of the free email newsletter “Piano Lessons Online: Piano Chords & Progressions!” which has over 61,000 current subscribers.

 

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Keyboard Workshop was established in 1965 to help piano players of all levels enhance their piano playing ability though the use of chords, styles, rhythms, runs, fills and other strategies. So we've been around the block a couple times, and we know what works!  We have taught hundreds of thousands of piano lessons on DVD's, CD's, videos, cassettes, music books, sheet music, chord charts, as well as free piano sheet music and free piano lessons online and instant chord finder from our sister-sites. 

     Duane is a graduate of Southern Oregon University in Ashland, Oregon with a BS & Masters Degree in Humanities (Music & English literature - a double major) and he is known as "the pianoman" -- the author of over 500 books, CD's and DVD's having to do with all aspects of piano playing. But degrees and education means nothing without the ability to teach so that the student can UNDERSTAND and then APPLY what he or she understands. Take one course and you'll immediately see for yourself why Duane's DVD and CD courses are "one of a kind" -- they actually get you UNDERSTANDING music and then show you -- clearly and plainly -- how to APPLY what you learn to your piano!

     Duane has more fun teaching piano than should be legal, and that love of piano playing and music in general is contagious.

     No formalities here -- lots of laughs and exciting insights into how to make the sounds you love -- whether that means pop piano or praise & gospel piano or blues piano or ragtime piano or new age piano or -- you name it.

     He has worked with many doctors and professional people who otherwise wouldn't be able to attend a scheduled lesson in a studio, because they can do it on their own time. He also works with church pianists and music directors to help them hone their skills, as well as beginners that don't know Middle C from Tweedle Dee, and everyone in-between.

 

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