Posts Tagged ‘electronic keyboards’

Electronic Keyboards and MIDI

Sunday, February 8th, 2009

 

How can one or two musicians sound like a full band? The answer is MIDI. It’s the abbreviation for “Musical Instrument Digital Interface.” It’s the electronic “language” that is “spoken” between different instruments and the main device (computer) controlling them.

Put simply, MIDI allows different instruments to communicate with one another and with a central computer. It could be compared to a group of people who all speak different languages trying to communicate. A person who speaks Spanish could issue a command in Spanish to someone who speaks French. An interface would translate that information into a code. The code would be transferred via a cable to the person who speaks French. That code would in turn transmit the original message in French. That same code could be transmitted to another person in any other language. The message will be understood as long as all are on a common interface.

Musical Instrument Digital Interface allows any MIDI-capable instrument to interact with any other MIDI instrument and/or computer. This makes it possible for one central computer or instrument to control every other device connected to it. The devices are connected via MIDI cables. The cables transmit the information from device to device.

MIDI is most commonly associated with electronic keyboards. The reason is that keyboards were among the earliest instruments to be manufactured MIDI-capable. Electronic keyboards tend to be the preferred instrument for creating MIDI files. Keyboards are also among the simplest to use as command centers for a bank of connected instruments.

Today, however, there are numerous instruments that are manufactured with MIDI interfaces. MIDI guitars and drum machines are common. Wind and brass instruments can also be MIDI capable.

Musical Instrument Digital Interface is different from an audio recording. Audio recording is a replication of sound waves. A MIDI file on the other hand is actually a code. No sound waves are recorded. Instead, a file is created which contains coded information. The information can then be transferred from instrument to instrument or computer. The receiving device “reads” the code, and it is interpreted in that device’s “language.”

Let’s use the electronic keyboard as an example. A musician could play a particular song on the keyboard. MIDI turns that music into a binary code. The code contains information on what keys were pressed. It also interprets things like:

* The amount of pressure applied to the keys.

* The intervals between each key pressed.

* Whether the pitch changes while a key is pressed.

This code can then be transferred to other devices. The same song can be then be reproduced. MIDI files can also be created on a regular computer. The files can then be transferred to various instruments.

It’s even possible to control other devices through Musical Instrument Digital Interface. A lighting system is one example of this. An entire bank of stage lights can be controlled by a computer or even an electronic keyboard.

What does this mean for musicians and performers? One person could conceivably give a stage performance utilizing multiple instruments simultaneously. This same lone musician could even be his own light technician. He can do it all and sing too by simply pressing computer or electronic keyboard keys at the right times.

MIDI revolutionized the world of music and performance. The technology continues to have wide-reaching application possibilities. Its quality has greatly improved since it was first invented in the early 1980s. Today Musical Instrument Digital Interface is considered an essential part of many performer’s and band’s equipment.

Even Beginners Can Make Great Music With a Synthesizer

Friday, August 22nd, 2008

Synthesizers

Synthesizers are electronic, keyboard-based instruments that produce artificial, or synthesized, sounds. Many frequently mistake synthesizers for simply portable, electronic pianos, but the differences are extremely vast. While synthesizers can definitely produce a piano sound, their main purpose, usually, is to create sounds not specifically found on any other instrument. And the process of creating these sounds is sometimes very difficult; while some synthesizers come with pre-created sounds, or patches, many come with a clean slate. The synthesizers produce sounds by a series of dials and knobs dedicated to a variety of aspects: oscillation, modulation, sustain, delay and attack, just to name a few. Some synthesizers even create sounds based on a patch bay. Remember old telephone operators that patched calls through based on cords and inputs? Some synthesizers use the same principle (and are generally used by those with an extremely advanced knowledge of their workings). And what’s more, many older synthesizers don’t offer the option of saving the sounds created; instead, the user has to keep detailed records of dial and knob placement, being careful to catch every nuance. To recreate a sound on these synthesizers is to keep very meticulous notes.

I remember meeting Bob Moog back in the 70’s at a trade show in Anaheim across the street from Disneyland. More than any other person, Moog had created the first useable and affordable synthesizer. Soon the big companies in the field such as Yahama and Roland, which had much deeper pockets than Moog, produced many improvements on the synth and made them available to the average working musician. I think I bought my first synth in about 1980 — a Roland that I used for probably 10 years before moving on to something more current.

Synthesizers made their break into popular music during the 1970s and 80s when numerous progressive rock bands began using them to create cosmic, unfamiliar sounds. The use of synthesizers quickly developed into an entirely new genre of music, electronic music, headed by such veterans as Kraftwerk (who, by the way, are still massively popular). They eventually found their way into almost every branch of 1980s popular music — which is probably why they fell so far out of favor. Synthesizers in the mainstream music industry quickly became associated with 1980s bubblegum pop, the very thing that new rock and punk bands were railing against. And even while an electronic music scene thrived (and even revolutionized), synthesizers became known as the outdated kiss of death for popular, mass-audience intended music. The late 90s, however, saw a resurgence in the use of synthesizers among underground rock and punk bands (ironically enough) and have quickly become re-embraced by the popular music industry.

For information on using Synthesizers, click here:
http://www.playpianocatalog.com/electronic-keyboards-amp-synthesizers.html