Posts Tagged ‘franz Liszt’

Franz Liszt: The Greatest Pianist Ever?

Saturday, January 31st, 2009

 

Is there a way to definitively say someone is the “greatest pianist ever,” especially when the person in question lived long before recorded music? One of the contenders for the title is a gentleman by the name of Franz Liszt. His peers were awed at his skill and proclaimed his playing to be the pinnacle of instrumental prowess. European audiences bowed before him; women fawned over him; and fellow musicians aspired to be like him. Liszt was a master of the piano.

Born in the Kingdom of Hungary in 1811, Liszt was exposed to music at an early age. His father was an aspiring musician who played piano, violin and guitar and was personally acquainted with Beethoven. As a young child, Liszt would watch his father playing piano. He was interested in both sacred and gypsy music, which greatly influenced his later playing.

At age 11 he studied in Vienna and met both Schumann and Beethoven. Moving to Paris as a teenager, he was surrounded by virtuosos. The great violinist Paganini, who so accomplished that he was accused of being in league with the devil, sparked Liszt’s imagination. If someone could perform that well on the violin, he thought, why couldn’t a virtuoso do the same with the piano. He quit playing concerts for a few years in order to devote himself to practice. Having already become wildly successful as a live performer, this move stunned the public.

After moving back into the public eye, Liszt showed his new mastery of the instrument. He wrote that “ten fingers have the power to reproduce the harmonies which are created by hundreds of performers.” Just to show the audience what he meant, he followed an orchestral version of a Berlioz piece with his own solo arrangement. On a lone piano he made the piece more powerful than the entire orchestra.

In 1933 Liszt made an impression on Countess Marie D’Agoult, who left her husband and children to join his side. The couple lived in Switzerland and Italy for four years. He still gave performances, one of which is particularly noteworthy. The pianist Sigismond Thalberg had become very popular, and the two gave a dueling piano concert. While Liszt hadn’t been playing as often as Thalberg, he was more than ready to match his skill. Before a stunned audience, each pianist transcended the ordinary confines of the instrument, both technically and emotionally. Both were proclaimed victors by the assembled guests.

Though he constantly toured and composed his own pieces to rapturous reviews, he wanted to be recognized as a composer rather than a performer. He quit touring at age 36 in order to concentrate on his pieces. Liszt conducted orchestras and gave away free piano lessons. Later in his life he took holy orders, which was a definite contrast to his earlier life as a notorious playboy. He continued to compose experimental piano pieces until his death in 1886.

Throughout both his concert and composing careers, Liszt pushed the envelope of the piano. His work stretched the definitions of both acceptability and accessibility. Since his life, piano playing has never been the same.

The Story of Liebestraum

Wednesday, May 28th, 2008

I was in Vienna last week, the home of many of the great classical composers and musicians. I visited Mozart’s apartment where he lived for a couple years, and also visited Hungary where Franz Liszt was born.

Liszt was born in 1811 in the Kingdom of Hungary, which was then a part of the Hapsburg Empire. His nationality is often disputed, since many records were destroyed by the Ottoman Turks. Usually he is claimed as either Hungarian or German, though a small group recognizes him as a Slovak. Adding to the debate, his musical character is often described as French.

His father had dreams of being a musician, and he studied piano, violin, and guitar while attending university. Because of his poverty, he had to give up his musical lessons and was employed by Prince Nikolaus II Esterhazy. On several occasions he sat in with an orchestra on second cello, keeping his musical love alive.

Liszt’s father claimed that by the age of nine the boy had played through all of the works of Bach, Beethoven, Mozart and others. He was forced to buy over eight thousand pages of new music by the masters so that young Franz could keep playing. In 1820 he played to an elite group of socialites who offered to buy his education abroad, but it took two more years before the prince would consider a leave of absence for his father.

Franz’s early lessons in Vienna were hard for him because his instructor forced him to learn proper fingerings. Liszt attempted to outsmart his teacher by telling his father the teacher was trying to show him illogical fingerings. Lessons continued after Liszt’s father realized his son’s trickery.

Early performances in Vienna established him as a child prodigy, but tragedy soon struck. His father’s sudden death and a failed love affair in France threw him into depression. He didn’t play or compose for a few years, until revolution took over Paris.

Travels and tours throughout Europe allowed Liszt to meet many noted composers and artists of the day. He had many love affairs and a few children as well. Eventually he ended up in Weimar, where he wrote the Liebestraum.

The Liebestraum is a delicate piece of music written in his own romantic style. Playing it requires dexterity in both hands and a grasp of sensitivity that takes time to master. No classical pianist’s repertoire is complete without the Liebestraum.

Liebestraum is German for “dreams of love.” The name Liebestraum is often used to refer to the third of the pieces, though it is actually the name of the entire set. The three parts are based on poems by Ludwig Uhland and Ferdinand Freiligrath. Each poem describes a different type of love: exalted love, erotic love, and mature love.

The third movement of the Liebestraum is the best known. It is also a reliable test of a pianist’s ability. At the time, a version of the Liebestraum for piano and high voice and another for piano two-hands was published.

Throughout his varied life, Franz Liszt created mesmerizing works, including the Faust Symphony and the Liebestraum. He is often called the greatest pianist who ever lived.

If you are a near-beginner but still would love to play and enjoy some of the classics, please check out Classical Piano For Beginners & Near Beginners