Posts Tagged ‘how to read music’

How to Read Music - Easier Than You Ever Thought!

Wednesday, August 13th, 2008

How to read musicHow to Read Music - Easier Than You Ever Thought!

One of the simple joys in life is the ability to read music. Learning this skill will enable you to express yourself creatively at the piano, playing your favorite songs.

It’s not difficult to learn to read music if you understand its components.

Written music has an architecture all its own. Musical notes sit on a staff. This staff consists of five lines and four spaces. Piano music utilizes two staves: the Treble

Clef and the Bass Clef. The Treble Clef consists of notes in the upper part of the piano keyboard, and the Bass Clef consists of notes in the lower part of the piano

keyboard. Music for instruments such as the trumpet uses only the Treble Clef, with additional notes written just above or just below the staff. There are also Tenor and

Alto Clefs, which accommodate written notes for a host of other instruments.

There are only seven notes in all of music. Of course, myriad combinations of these notes give us the vast array of music we have available to us today. These combinations

of notes will continue to provide us with new music in the future as well. These notes are seven letters from the alphabet: A, B, C, D, E, F and G; what musicians and

composers do with seven notes is what makes music so beautiful.
On a sheet of music, the Treble Clef has a figure at the beginning of the staff. This figure indicates where line “G” is, on the second line from the bottom of the staff.

Once you know where line “G” is, you can figure out the names of the other spaces and lines. The Bass Clef has a figure at the beginning of its staff. This figure indicates

where line “F” is, on the second line from the top of this staff. Again, you can figure out the other notes, where they sit on the Bass Clef, because you have a starting

point with line “F”.

You can play musical notes individually as single successive notes, or you can play them in unison as a chord. Notes do not all look alike on a musical staff. Some have

stems attached to them. Some have what look like little flags on them. Some notes are solid black, while others are clear ovals. These different characteristic of a musical

note represent its value. The value helps a music reader determine the duration of a note, how much time it should take up in a piece of music.

Written music also includes the use of “rests.” These rests are of a different shape than music notes, and they indicate intervals of silence in music. A musician needs to

know where pauses in their playing need to occur and for how long these pauses must be.

These are the fundamentals to know when you want to begin a study of music reading. From there you will come to understand time signatures, rhythm, tempo, and phrasing and

articulation markings. However, learning those seven notes and the music staff is the first step. After that, it’s full speed ahead to greater musical enjoyment.
http://www.readmusicfast.com/

Guitar Players Can Learn To Play The Piano In No Time Flat

Saturday, August 2nd, 2008

Guitar players can learn piano fairly rapidly

If you’re a guitar player who desires to learn the piano, you’re already ahead of the game. You can transfer your knowledge of chords and chord patterns to the keyboard.

This means you could be playing a tune at the piano in no time. That’s because chords are chords, no matter what instrument they are played on.

The composition of chords is the same whether you apply them to a guitar or a piano. The only difference is where the application takes place. On a piano, you use black and

white keys on the keyboard to form different chords. It’s akin to pressing strings to form chords on the fret board of a guitar. You press certain strings at certain fret

positions to get a certain chord sound.

Guitarists can learn the piano rapidly because they already understand chord patterns. Some guitarists know chord patterns as written musical notation; others know these

patterns by sound. Some know both methods. A guitarist who can read chord patterns, written using proper music notation, will be able to read a chord pattern on sheet music

whether its for guitar or piano. All the guitarist has to do is learn the keys of the piano and then play the written music at the keys.

Someone who does not know how to read music must first learn the written form. Then he or she must learn the keyboard keys before putting the two together to play. A

guitarist saves time by already knowing the written element.

What about guitarists who cannot read music, but play by ear? It is still easier for them to learn the piano because they have an ear for chord sounds. Those new to music

must tune their ear to the sound of chords. They cannot usually just sit at a piano and say, “I’m going to play a C Major Triad.” They must first understand what comprises

this triad. When they play it, they must know whether the sound is right.

Guitarists who understand chord construction and know a chord’s sound when they hear it are further ahead. When they locate the appropriate keys at the piano and play the

chord, they know by the sound whether they’ve played it correctly. This is because they’ve heard the chord many times before on the guitar. The chord will sound the same

only with the piano’s characteristic sound underpinning it.

Guitarists will also learn to experiment and improvise on a piano faster than one who has never played another instrument before. Guitarists constantly manipulate chords,

always trying new voicings and chord combinations. When they undertake piano study, they will do the same. Since they already know the theory and architecture of chords,

and the scale notes they are born of, they can begin manipulating them at the keyboard immediately. There is no need to learn the reasons behind what they are doing.

The guitar and the piano have much in common when it comes to playing chords. If you know guitar chords, you will not find the piano an intimidating instrument. You will

find it’s another vehicle for your musical creativity: one you already know something about.