A famous German composer and organ player, Johann Sebastian Bach came from a very musical family. He was born in Eisenach on March 31, 1685. He was the youngest child of Johann Ambrosius Bach and Maria Elisabetha Lammerhirt Bach.

Johann Sebastian Bach was surrounded by music from birth. His father was an organist for St. George’s Church, and all his uncles were professional musicians. They included everything from court chamber performers to classical composers.

Bach’s father taught him how to play violin and harpsichord when he was very young. Johann Sebastian’s famous uncle Johann Christoph Bach taught him the fine art of organ playing.

Sadly, Johann Sebastian Bach was orphaned when he was just 10 years old. His mother died in 1694, and his father died only eight months later. He then moved in with his brother, who was also a famous organist named Johann Christoph Bach. He began to study music in earnest, learning to compose, perform and write music professionally under his brother’s tutelage. He also learned to play the clavichord.

At the age of 14, Johann Sebastian was awarded a choral scholarship that allowed him to study at St. Michael’s School in Luneberg. The school had a great musical reputation. It was located in Hamburg, which was then one of the largest cities of the Holy Roman Empire.

After his graduation, Bach was given the title of court musician in the chapel of Duke Johann Ernst of Weimar. His reputation as a skilled musician and composer quickly spread, and soon St. Bonafice Church in Arnstadt called on Bach because they needed an organist to play their inaugural concert for a new organ. When they heard him play, they invited him to stay on as their parish organist.

He enjoyed the job, but he took extended absences to study with famous organists and was preoccupied with his composing. In 1706, he moved on to a larger parish in Muhlhausen. Shortly thereafter, he married his second cousin, Maria Barbara Bach. Together, they had seven children, two of which became important composers.

After only a year, Bach left Muhlhausen to become the concert master and court organist at the ducal court in Weimar. This was one of the most productive eras of his life. During this time, he produced many of his famous fugues.

In 1717, he fell out of favor in the Weimar court. When he pushed to be dismissed from his position, he was put in jail for a month before being unfavorably discharged.

Bach was then hired by Prince Leopold of Anhalt-Cothen as the music director until 1723. Many of his famous secular works were composed over these years, as Leopold was a Calvinist and not a big fan of elaborate music in his worship services.

In 1720 Bach’s wife died unexpectedly. A year later, he remarried a soprano singer named Anna Magdalena Wilcke. Together, they had 13 children. Six of them survived to adulthood, and all six were talented musicians.

The family lived in Leipzig from 1723 until 1747. Bach wrote many of his most famous works, like motets and his Mass in B Minor, in Leipzig where he served as music director for several churches. In 1747, he moved to Potsdam to serve on the court of Frederick the II of Prussia.

Johann Sebastian Bach died in 1750 of undetermined causes. Some believe a quack surgeon performed an unsuccessful eye operation that caused his death, while others think he suffered a stroke brought on as a complication from pneumonia. He was 65.

Even non-musicians around the world are undoubtedly familiar with one of Johann Sebastian Bach’s more famous compositions, Jesu, Joy of Man’s Desiring. Usually, this song is played in a slow, almost reverent style during weddings or in religious and liturgical services. However, many music lovers aren’t aware that this recognizable tune was actually intended to be played in a much more upbeat manner.

The song was originally composed for accompaniment of voices, as well as traditional orchestral instruments, particularly woodwinds, strings, and brass. Today though, it is more often performed on piano and organ. It’s difficult to say whether or not Bach might be rolling over in his grave every time the slower version of Jesu, Joy of Man’s Desiring graces someone’s nuptial ceremony. Nevertheless this piece has won the affections of both aficionados and non-musicians alike. In fact, of all of Bach’s compositions, this one is his most recognized.

The German-born composer originally wrote his composition in the early 1700’s. It was performed publically for the first time on July2, 1723 as part of Bach’s cantata: “Herz und Mund Tat und Leben” (“Heart and Mouth and Deed and Life”). What is perhaps less known about this fondly-loved composition is that the underlying choral melody was actually composed by violinist Johan Schop.

Schop was something of a pioneer in the music world during the early 1700’s. Considered to be a virtuoso, his technical ability was largely unsurpassed by his contemporaries, and certainly unequalled by his predecessors. Despite his immense talent, Schop has since faded into the background. Today, Bach himself is attributed most of the credit for Jesu, Joy of Man’s Desiring.

The piano arrangement of Jesu, Joy of Man’s Desiring that is most familiar to listeners in the 21st century was actually transcribed by British pianist Myra Hess, well over 100 years after its composition. It is this adaptation that has stood the test of time as far as popular recognition goes, and is how the song is most often publicly performed today. When it does happen to be accompanied by English-speaking voices, it is sung to the words that were translated from the original German to English by the prominent 18th century English poet Robert Bridges. The English version, though, diverts somewhat from the original German. Bridges obviously did what poets do best, creating a poem that still echoes the sentiments of the original work, but contains flowing rhyme which is easy to sing in its translated English.

Since its first public performance nearly three centuries ago, Jesu, Joy of Man’s Desiring has been adapted and performed by hundreds of other musicians and artists. Even modern artists, such as Josh Groban, continue to make this song one of classical music’s most renowned and adored tunes.

Even though Bach did not consider this piece his favorite or best work, it is probably the most widely recognized of all of his compositions. Because of its mainstream popularity, this song will undoubtedly continue to surface at weddings and other public performances for hundreds more years.