Posts Tagged ‘song’

Andre Previn, Triple Threat: Composer, Jazz Pianist, Symphony Conductor

Monday, September 8th, 2008

Andre Previn
Andre Previn is a German-born pianist, conductor, and composer. From arranging and composing Hollywood film scores to his multiple marriages which sparked many musical inspirations, Andre Previn’s life was never dull.

I can still remember the excitment of hearing him for the first time on the radio, then rushing into Fowler’s Music Store in Auburn (my home town) to buy his new album “My Fair Lady” in which he took those great tunes and played them in his unique classical-jazz style (with help from drummer Shelly Mann and basist LeRoy Vinegar), then playing it over and over again and trying to imitate his style on songs such as “On The Street Where You Live”, “Wouldn’t It Be Loverly”, “Get Me To The Church On Time” and others. I was terrible (or worse) but as I look back it certainly helped in my development.

Andre Previn is a German-born pianist, conductor, and composer. Born April 6, 1929, in Berlin, Previn was born to a Jewish family. In 1939, the Previn family immigrated to the United States; however, Previn did not become a citizen of the United States until 1943. At his high school graduation from Beverly Hills High School in 1946, he played a duo with Richard M. Sherman, who played the flute.
From 1950’s until recently, Previn has recorded and toured as a jazz pianist. He has worked with Shelly Manne, Benny Carter, Dinah Shore, and Julie Andrews over the course of his career. Previn frequently appeared on The Dinah Shore Chevy Show in the 1960’s. In 1966, Julie Andrews and Andre Previn collaborated on a Christmas carol album.

About 21 years after his high school graduation, the Houston Symphony Orchestra was in the market for a new music director. Previn soon filled that need. However, the London Symphony Orchestra wanted him, too. In 1968, Andre Previn became the tenured principal conductor with the London Symphony Orchestra, and he served there for 11 years. During his time with the London Symphony orchestra, he appeared on a television program called “Andre Previn’s Music Night.”
Although he was tenured with the London Symphony Orchestra, the Pittsburgh Symphony Orchestra needed a music director. Previn decided to take on that role as well from 1976 though 1984. Working with the Pittsburgh Symphony Orchestra, another television program was born, “Previn and the Pittsburgh.” During this time, he worked with the Royal Philharmonic Orchestra as their principal conductor. The Los Angeles Philharmonic Orchestra named Andre Previn as their music director, but he resigned from that strenuous role in April 1989.

Previn’s first opera performance was A Streetcar Named Desire, which premiered in 1998 at the San Francisco Opera. Following the opera, Previn focused on vocal, chamber, and orchestral music with the occasional recordings of jazz.

Previn adapted and conducted many arrangements in the Hollywood spectrum. He did stage-to-screen adaptations for My Fair Lady, Kismet, Porgy and Bess, and Paint Your Wagon. From 1949 through 1970, Previn assisted with music in the following films: The Music Lovers, Inside Daisy Clover, Two for the Seesaw, Four Horsemen of the Apocalypse, Bells are Ringing, Elmer Gantry, Silk Stockings, It’s Always Fair Weather, Bad Day at the Black Rock, Kiss Me Kate, Three Little Words, and The Secret Garden. Gigi, the 1958 Academy Award winning film, also featured many special works from Previn.
Previn, like many other amazing, multitalented artists, has received many acknowledgements and awards. Among his personal awards, he has received 13 Academy nominations and four Oscar victories. He also holds seven Grammy Awards. Andre Previn became an honorary Knight of the Order of British Empire in 1996; however, due to lack of citizenship in the Commonwealth, the title of “sir” cannot appear before his name. He instead puts the letters KBE with his name to indicate the honor.
In 1998, Previn received the Kennedy Center Honors for his classical music and opera contributions. 2005 marked the year that Previn received the International Glenn Gloud Prize for his achievements. On May 13, 2008, Previn received the London Symphony Orchestra’s Lifetime Achievement Award.
Andre Previn is still touring. In April 2008, he performed in Rome at Italy’s Accademia Nazionale Santa Cecilia. On June 22, Previn performed with the London Symphony Orchestra and Anne Sophie Mutter in London at the Barbican Hall. August appearances include performances at the Koussevitsky Music Shed in Lenox, MA. Massachusetts’s Symphony Hall will host Andre Previn on October 2 through October 4 and October 7. November will be the month that Previn is in Seattle at the Benaroya Hall. On December 21, Previn will return to London’s Barbican Hall for his last performance of the year. Even at the age of 79, Andre Previn KBE is still as active in the music genre as ever.

Can You Learn to Tell The Future Of a Song?

Wednesday, August 20th, 2008

How To Predict Which Chord Comes Next In a Song

Most people don’t realize that they could learn how to be a “prophet” — see into the future — and tell all these things about almost any song:

What’s the most likely chord for the song to start on…

What’s the most likely chord for the song to end on…

What the three most likely chords in any song are…

What the second chord in a song will probably be…

What the 4th, 5th, and 6th most likely chords in any song are…

What chord follows a 7th chord 85% of the time…

Why a knowledge of “consecutive dominant 7ths” can revolutionize your understanding of what’s happening in any given song…

Why a knowledge of the “circle of 4ths” gives you a huge edge about what chords are coming next…

Do you have any idea how valuable this knowledge is? Can you see how it could benefit you right away and give you a big edge in music? Let’s take an example from another field:

What if you had the ability to predict what the price of a stock, let’s say IBM, would be tomorrow morning? Would that give you ad edge in the stock market? Even if you were wrong 15% of the time, it would only be a matter of months until you were so rich you wouldn’t be able to spend all the money you made. Right?

Of if you could predict what the price of pork bellies, or cattle, or soybeans, or corn…or anything — you would soon own the world and most of the solar system.

In music, money isn’t involved directly, but another kind of riches is — satisfaction, enjoyment, mutual respect of other musicians, etc., and you have it within your power to gain the ability to accurately predict — with accuracy ranging from 60% up to 85% — what will happen next in a song in terms of chord progressions.

Will you ever be wrong? Of course. I still miss now and then. But you’ll understand the framework of why chords progress the way they do, so your confidence level will soar.

Wouldn’t it be nice if you could predict which chord would probably come next in a song?

I’ve got some good news for you.

It is possible. Not 100%, but somewhere on the order of 75% to 85% accurate.

That’s because music has FORM — like the skeleton that holds your flesh, muscles, and skin up. If you had no bones — no skeleton — your flesh and all the other parts of you would fall in a heap on the floor. Not a pretty picture. But because you DO have a skeleton, you are able to walk around and pretty accurately predict which way your next step will take you.

It’s the same in music. Music has FORM — a skeleton to hold it up, hold it together. And that skeleton is made out of chords — harmony — the tonal center of the song or piece.

You Can Predict Which Chord Comes Next. You Can Become a “Musical Mindreader”!

In any given key you can play in, there are PRIMARY CHORDS — chords that occur way more than other chords. They are like family members of that particular key.

At your house, let’s say you have 3 people in your family — your spouse, your child, and you. On the same block, but down the street a few houses, lives your cousin and her family.

At any given moment, who are the most likely people to be in your house?

Obama?

Payton Manning?

Rush?

Michael Phelps?

I don’t think so!

It’s possible, of course, but not too likely. If I had to guess, I would say it would be either you, your spouse, or your child. It might be your cousin down the street – there’s a much better chance of that than, say, Hillary or George — but my best odds would be to guess that the family members would be there.

It’s the same way with chords. In any given key, there are 3 “family members” that are residents of that key — the I chord, the IV chord, and the V chord. They are far and away the most likely chords to occur in any given key.

What chord comes next?

So how could I tell whether it should be F or G?

If the melody is a “B”, then the chord is probably a G chord. Why? Because “B” is in the G chord, but is not in the F chord.

If the melody is a “A”, than I would guess that the chord is F. Why? Because “A” is in the F chord, but is not in the G chord.

Does that mean that there are always just 3 chords in a song? No, but there are literally hundreds of songs that are made of just 3 chords.

What if there are more than 3 chords in a song? What then?

That’s what we’ll take up in the course so you’ll understand it clearly!

How will it help you to become a “musical mindreader”?

You’ll amaze other musicians & friends who don’t know what you know…

You will develop more confidence in your playing as a musician…

If you play for a living, there’s a good chance it will increase your income!

If you teach piano or guitar or any instrument, you’ll have a wealth of knowledge about music that you can share with your students.

Exciting things you’ll learn…
Learn what chords will occur in any key…

Learn what chord to start on — once you know the key of a song…

Learn what three chords are the most likely to be used in any song…

Learn what chords 7th chords “want” to progress to…

Learn “the family of chords” and never wonder who is in each family again.

Apply your new knowledge to any song in any key — major or minor.

You’ll learn about the “fam”, the “cousins”, and the “neighbors” — enough chords to keep you going (and other guessing) for a long time.

You’ll also learn all about the “Circle of 4ths” and how it reveals “family secrets” of key relationships, chord relationships, chord progressions, chord substitutions…

Do you see the power in this? Once you understand the Circle of 4ths and how it works, there’s no key that can stump you — you’ll understand every single key that any song or piece could be written in. People who know and understand this circle are at a tremendous advantage over other musicians.

If this is a skill you would like to have, check out Musical Mindreader!

The History of Great Spiritual Songs

Tuesday, July 15th, 2008

Spirituals

Great spiritual songs that inspire are a part of America’s folklore. Long a part of our nation’s canon of song, we hardly give thought to how they came into existence. Each one does have a story though, which sheds light on the place and time they were born.

The following songs are a few examples of great spirituals and their origins. These songs are great for singing around the piano and are a fine addition to any piano repertoire.

Amazing Grace

Written originally as a poem by John Newton in 1772, Amazing Grace is one of the most popular spiritual songs in America. The music that accompanies the version we know today is a variation of the tune “New Britain.” This music first appeared in 1829 in a hymnal titled Columbian Harmony. The composer is unknown. Amazing Grace is John Newton’s personal thoughts on divine grace and his conversion to Christianity.

When the Saints Go Marching In

This song is familiar as a spiritual tune often played in New Orleans to accompany a funeral procession to and from a burial. Louis Armstrong propelled the song to great popularity in the 1930s with his rousing jazz rendition. However, researchers point to the Bahamas as the birthplace of the song.

A song titled “When the Saints are Marching In” resembles the song we know today. Published in 1896, its lyricist and composer were Katherine E. Purvis and James M. Black. Various titles of the piece appeared over the years. The title we are familiar with received publication in a hymnal in 1927 titled “Spirituals Triumphant-Old and New.” Vocal and instrumental versions of the song play across the land year after year.

Swing Low, Sweet Chariot

Wallis Willis wrote this song around 1862. The Red River reminded him of the Jordan River, and the references in the song are to the Prophet Elijah going to heaven on a chariot. This song was a favorite of plantation workers in the 1800s. It enjoyed new popularity in the 1960s as part of the music of the Civil Rights movement. Willis was once a slave of the Choctaw Indians.

Michael Row the Boat Ashore

First published in “Slave Songs of the United States” in 1867, this song began in the oral tradition. The abolitionist Charles Ware wrote the music for the words that freed slaves sung on St. Helena Island in the 1860s. This song speaks of crossing the Jordan River, and the river is a metaphor for crossing over from life to death. The Michael of the song is Michael the Archangel.

Go Tell It on the Mountain

This song is a popular Christmas tune. It’s a traditional African-American spiritual written by John Wesley Work, Jr. in 1907. The song received publication that year in Nashville, Tenn., in his book, “Folk Songs of the American Negro.” Work devoted his time to preserving African-American folk music. Go Tell It on the Mountain has a rich performance history, with Peter, Paul, and Mary; Frank Sinatra and Bing Crosby; and Bob Marley among its performers.

The great spiritual songs continue to speak their words to new generations of listeners. They offer hope to those who seek inspirational messages in musical form to help them in their trials. For this reason, they will uplift those who play and sing them for generations to come.

What tools do you have in your musical toolbox?

Wednesday, July 2nd, 2008

Toolbox

Building a piano arrangement of a song is very much like building a house. You have to have a foundation (music theory), the materials of the song (the melody, chords & rhythm), and you have to have a toolbox of techniques with which to “build the musical house”.

What this short video and you’ll quickly see what I mean:

Amazing Grace, How Sweet The Sound!

Monday, June 30th, 2008

Amazing Grace - How Sweet The Sound!

A staple of both spiritual and secular singers alike, Amazing Grace is one of the world’s most popular songs. John Newton, its writer, lived a life full of sin and redemption, which inspired the song’s lyrics. According to Newton’s biography, the words of Amazing Grace show the song was very personal in nature.

Newton was born in London. A former slave ship captain when he wrote the hymn, he started his life at sea with the British Navy. He narrowly avoided becoming a slave master in Jamaica. In the Navy, he rose to the rank of midshipman. When he tried to desert, however, he was put into irons and reduced in rank. Newton asked to serve aboard a West African-bound slave ship and ended up on the coast of Sierra Leone. The slave master whom he served was abusive, and eventually he was taken back to England aboard yet another slave ship.

During this trip, the ship met a violent storm at sea. Newton prayed for his life as the ship was deluged with water. This was his first taste of Amazing Grace. It marked the beginning of his conversion to Christ.

In 1754, Newton was forced out of the slave trade and off of the sea when a serious illness threatened his life. He applied to be an Anglican priest, but in the time he waited for acceptance into the priesthood he also applied to the Methodist and Presbyterian churches. In 1764, he was ordained into the Church of England.

Though he was converted, it took some time before Newton regretted his slave trading days. (What else is new? It takes all of us a long time to get our actions in line with our heart.) As he wrote in his lyrics, “I once was lost, but now am found.” Later in his life he became a powerful abolitionist, writing many articles against slavery.

Newton originally wrote six verses for Amazing Grace, but modern times have brought about a seventh. Composed by John P. Rees, Harriet Beecher Stowe published the additional and now-final verse in her novel, Uncle Tom’s Cabin.

The melody of Amazing Grace isn’t Newton’s own. The exact origin is murky. Originally Amazing Grace was sung using a variety of melodies. A song called Old Regular Baptist was a commonly used melody. Other accounts point to a Scottish bagpipe tune as the basis for the familiar melody, which is a reason the song is often associated with the instrument. A popular myth held that the melody was an old drinking song, though this has been disproved.

From Rod Stewart to Kylie Minogue, Amazing Grace has been honored by many voices through the years. It’s even become known as the unofficial Cherokee National anthem, with altered lyrics to fit the Cherokee language.

Amazing Grace is an eternal song, both in use and meaning. Its message of redemption applies to any person who turns from his or her sin and cries out to God for forgiveness. For this and many other reasons, it will stand the test of time.